Ciaran Magill Website

 

 

 

 

 

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REVIEWS/PUBLICATIONS

 

 

2021

 

 

COCHRANE, AMY. "Local artist commissioned to create series of paintings for public display". "Mourne Observer", County Down, Northern Ireland, Wednesday 7 April 2021, p. 18

SPENCE, JULIE-ANNE. "Funding for d/Deaf and disabled artists". "News Letter", Belfast, Northern Ireland, Friday 26 February 2021

McCONVILLE, MARIE-LOUISE. "Deaf and disabled artists awarded 94k support". "Irish News", Belfast, Northern Ireland, Wednesday 24 February 2021, p. 6

 

2019

 

 

RACCONI, DIEGO. Art Save Earth, Milan, Biblioteca Gallaratese, Italy, May 2019, p. 34

MAGENNIS, PHILIP. Cultural Life, Antrim, Antrim and Newtownabbey Borough Council, Northern Ireland, January - June 2019, p. 3

 

2014

 

DEAN, JONATHAN. “Belfast: Ciaran Magill: Situation Critical”, Sunday Times Culture Magazine, Sunday 29 June 2014

LENAGHAN, KIM. “Arts Extra: Intelligence Gathering exhibition at PS Squared Gallery, Belfast”, BBC Radio Ulster, Belfast, Wednesday 8 January 2014, radio broadcast at 6:45pm GMT

McDOWELL, HELEN. “Domestic Bliss”, County Down Spectator, Northern Ireland, Thursday 2 January 2014, p. 6

 

2013

 

KRUSE, CALIN. "Teufelsberg Spy Station Berlin - Brendan Jamison" Dienacht Magazin, Leipzig, Germany, 16 August 2013

FLEMING, JOANNE. "Glue: new exhibition at Down Arts Centre", Down Recorder, Downpatrick, Northern Ireland, Wednesday 24 April 2013, p. 40

REID, ANGELA. "The Down Arts Centre Exhibition Makes an Impact", NI Scene, Northern Ireland, Monday 22 April 2013

GRACEY, KATHRYN. "GLUE Exhibition", Mourne Observer, Down Edition, Newcastle, Northern Ireland, Wednesday 17 April 2013, p. 32

DAVIDSON, JENNI. "Collage gets sticky: GLUE at the Down Arts Centre in Downpatrick" Culture24, Brighton, England, 10 April 2013

FLEMING, JOANNE. "The Glue in the exhibition", Down Recorder, Downpatrick, Northern Ireland, Wednesday 10 April 2013, p. 27

McGURK, HELEN. "Exhibition basks in the glow", News Letter, Belfast, Tuesday 15 January 2013, p. 18

GRIFFITH, DENISE. "Glue: International Survey Exhibition of Contemporary Collage Curated by Brendan Jamison" Down Arts Season Programme January - April 2013, Northern Ireland, Down District Council, January 2013, p. 16

 

2012

 

BLAIR, PAULA. "Disruptions: Contemporary Art in Belfast", The Ulster Folk, Belfast, No. 7, Summer 2012, p. 6, ISSN 2045-6425

DARBY, ANGELA. "The Warning Project at The Crescent Arts Centre, Belfast", WhiteHot Magazine, New York, 20 June 2012

LENAGHAN, KIM. “Interview with Brendan Jamison, curator of the Warning exhibition at Crescent Arts Centre”, Arts Extra, BBC Radio Ulster, Belfast, Friday 15 June 2012, radio broadcast at 6:45pm GMT

HAILES, ANNE. "Shocking New Art Exhibition" The Irish News, Belfast, Thursday 31 may 2012, p. 36

DAVIDSON, JENNI. "Warning! This is Contemporary Art. A new exhibition shakes up the Belfast art scene", Culture24, Brighton, England, 30 May 2012

THOMPSON, JON. "News: Warning Arts Opens in Crescent Arts Centre: Belfast Raises the bar on culture" ViewTV, Monday 28 May 2012

DARBY, ANGELA. "Androgynous Aesthetics: Interview with Brendan Jamison", Aesthetica Magazine [online], York, England, Tuesday 22 May 2012

GRACEY, KATHRYN. "Spooky Hypnotic: Down Arts Centre", Mourne Observer, South Down Edition, Newcastle, Northern Ireland, Wednesday 16 May 2012, p. 30

FLEMING, JOANNE. "Mournes haunt in exhibition", Down Recorder, Downpatrick, Northern Ireland, Wednesday 9 May 2012, p. 41

JAMISON, BRENDAN. “Collecting Contemporary Art: Landscape Refreshed: Ciaran Magill”,

Eamonn Mallie News Agency [online] 26 January 2012

 

2011

 

HEARTY, MARTIN. “Pushing the Envelope”, Newry Democrat, Northern Ireland, Tuesday 29 November 2011, p 26

QUIGLEY, ALICE. “ArtTank: Fresh”, Art Paper, Belfast, issue 1, p 30

AINSWORTH, PAUL. “ArtTank rolls back onto arts scene after six months closure”, South Belfast News, Northern Ireland, Saturday 12 November 2011, p 20

LITTLE, GRAHAM. and SALLEY, JOANNE. Out of the Blue, BBC One Northern Ireland, Monday 7 November 2011, live television broadcast at 7:30pm

CROWN, RYAN. “Carrie Neely Contemporary Art presents FRESH at ArtTank”, City7 Belfast, Northern Ireland, November 2011, p 52

MALCOLM, BOB. “Fresh look at art in ArtTank re-launch”, Community Telegraph (South Belfast edition) Northern Ireland, Thursday 3 November 2011, p 8

 

2010

 

O'HARE, ANNE. "Stars of the County Down: Ciaran Magill", Outlook, Newry, 27 January 2010

 

2009

             

CUMMINS, JOANNE. "Eerie Twilight: Ciaran Magill solo exhibition", Ultimate Guide, Downpatrick, Sept-Nov 2009, p. 14

ROBINSON, JUDITH. “Ciaran Magill Fine Art”, Northern Ireland Homes & Lifestyle Magazine, Belfast, issue 34, July/August 2009, p. 97

 

 

 

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REVIEW HIGHLIGHTS

The Mourne Observer

Wednesday 7 April 2021, p. 18

 

The Irish News

Wednesday 24 February 2021, p. 6

 

 

Sunday Times Culture Magazine

Sunday 29 June 2014

 

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NORTHERN IRELAND HOMES & LIFESTYLE MAGAZINE

July/August 2012

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BBC RADIO ULSTER: ARTS EXTRA

15 June 2012

Broadcast at 6:35 pm GMT

Curator Brendan Jamison is interviewed by Kim

Lenaghan with a focus on works by Ciaran Magill

in the WARNING! exhibition at the

Crescent Arts Centre, Belfast.

Duration: 4 minutes, 50 seconds

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CULTURE NORTHERN IRELAND

7 June 2012

Culture Northern Ireland

ART REVIEW: Warning! This is Contemporary Art

By Tammy Moore

The provocative exhibition isn't for the faint of heart, but is well-worth challenging your preconceptions

Admittance to Warning! This is Contemporary Art at the Crescent Art Centre is ‘strictly limited to over 18s only’. Determined to avoid ‘safe’ art, the Warning Art curator Brendan Jamison has collected works dealing with sexuality, gender and mortality from controversial national and international artists.

So, should visitors to the newly opened exhibition, which takes over the space on the second floor where the Dickon Hall Gallery was situated, prepare to be shocked? Well, maybe. There are certainly a few sets of genitalia on display – male, female and in transition – in the three brightly lit, white walled rooms of the gallery but it would be a stretch to describe this bold exhibition as salacious or particularly titillating. The imagery and concepts range from the provocative to the tender, but none of it seems designed to arouse.

In fact, a few of the pieces are likely to have the opposite effect. ‘The Sperm Harvesters’ in the second room is a pencil and paper drawing by Lydia Holmes that depicts penes sprouting from a desert landscape, with miniature women climbing on and lassoing them.

The drawing was inspired by stories of the Zimbabwean ‘Sugar Mamas’, who kidnap and sexually assault men in order to steal semen for unknown uses (theories range from ritual magic to face cream). Despite the dark theme, the piece itself is bizarrely cheerful, with one little woman waving her arms triumphantly from atop the glans.

Other pieces on display take a more positive approach to sexuality. Ciaran Magill’s nudes are beautiful and approachable, with his portrait of a transsexual caught on the liminal edge of gender identity. There is something tender in the painting of two male nudes in a room. The soft greys and yellow undertones they are drawn in give the captured moment a soft, pre-dawn feel.

Not everything in the Warning Art Gallery is particularly to this critic’s personal tastes. There is nothing in the exhibition that is easy to pass with only a cursory look. Clearly, from the red stickers marking a lot of the art as sold, other visitors to the gallery agree. It seems that Jamison was right about there being a market for edgier works.

Warning! This is Contemporary Art is at the Crescent Art Centre until June 15.

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CULTURE 24

30 May 2012

Warning! This is Contemporary Art:

a new exhibition shakes up the

Belfast art scene

By Jenni Davidson| 30 May 2012

WARNING! This is Contemporary Art, Crescent Arts Centre, Belfast, until June 15 2012

An x-rated art exhibition is challenging the boundaries of the Northern Irish contemporary art scene.

WARNING! This is Contemporary Art, which takes place in the Crescent Arts Centre, contains a series of sexually explicit and psychologically dark works focusing on alternative representations of the human body and its functions.

Ciaran Magill, Coming Closer (2012). Pastel on paper.


The group exhibition features work by 26 artists from Europe and America, including Tracey Emin, Julian Opie, André Stitt and Ciaran Magill. It is curated by Brendan Jamison.

One highlight of the exhibition is André Stitt’s paintings. Stitt, who also delivered the exhibition’s opening talk, created the Prog Rock series of abstract paintings while listening to loud music with obscene lyrics, while his giant Black Mountain High is a response to the city of Belfast.

Warning Art aims to challenge the conservative Northern Irish art establishment, which tends to focus on attractive and representational art. Modelling itself on the contemporary art scenes of London, New York and Berlin, the gallery will put on a series of exhibitions that explore 21st century life and offer edgier contemporary artists a chance to display their work in Northern Ireland, rather than waiting to be taking up by galleries in England or further afield.

Monday to Saturday 10.30am-5.30pm (Fridays until 8pm). Over-18s only. Entry free.

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NEWRY DEMOCRAT

22 May 2012

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THE MOURNE OBSERVER

16 May 2012

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DOWN RECORDER

9 May 2012

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26 January 2012

EAMONN MALLIE

NEWS SERVICE

Collecting Contemporary Art

Part 1: Ciaran Magill - Landscape Refreshed

BERLIN (2010) Ciaran Magill, oil on canvas, 70 x 100 cms

Visitors to the sculpture studio often become absorbed by the paintings hanging on the walls, the works being regularly rotated from my ever-expanding art collection. Collecting art is a pure passion and some of Northern Ireland’s emerging artists are making works of a strong international standard. The artist who often draws the most intrigue is Ciaran Magill (born in 1978, lives in Kilkeel) A graduate of the University of Ulster in 2009 and recipient of the DIAGEO N.I. award for ‘Emerging Artist of the Year.” Described by renowned painter Neil Shawcross as ‘a genius’ back when he studied under him on the foundation course in 1998, Magill is a painter who has mastered the art of spooky landscapes through edgy layering effects, strong depth and an accomplished use of line. Desolate and haunting, they exude an hypnotic charm. Over the past two years he has exhibited internationally in New York and Italy, while closer to home, he has shown in many significant group exhibitions at Golden Thread, Ormeau Baths Gallery, ArtTank, Catalyst Arts and the Naughton Gallery.

Of the 19 works I have already collected from this artist, two thirds are of his magnificent landscapes, the others are explorations of the male nude, with influence drawn from Egon Schiele, Hernan Bas and Tracey Emin. Magill’s new figurative works will be displayed in a group exhibition titled ‘Warning! This is Contemporary Art’ which opens on Friday May 25 in Belfast. Also that month, the artist’s second solo exhibition at Down Arts Centre titled ‘Spooky Hypnotic’ will open on Friday May 11 and is highly anticipated.

ECHO (2010) Ciaran Magill, oil on canvas, 60 x 90 cms

EERIE TWILIGHT (2010) Ciaran Magill, drawing on card, 25 x 30 cms

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NEWRY DEMOCRAT

29 November 2011

Newry Democrat

PUSHING THE ENVELOPE

By Martin Hearty

HEARTY, MARTIN. “Pushing the Envelope”, Newry Democrat, Northern Ireland,

Tuesday 29 November 2011, p 26

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NORTHERN IRELAND HOMES & LIFESTYLE MAGAZINE

July/August 2009

The best new talent from the Belfast School of Art & Design.

By Judith Robinson

Ciaran Magill

Fine Art

 

 

Working on landscape pieces, Ciaran has infused his canvases with colour and detail to produce a vibrant collection. Using photographs of the landscape, both around him and overseas, he has been able to recreate scenes, adding a few twists and really emphasising colour."

 

'I paint what I would like to see in a landscape - bursting with colour and texture. Each painting is layered several times to achieve an edgy effect.' This edgy aspect is interesting in Ciaran's work. 'I wanted to create a feeling of eeriness in my paintings to show that whilst the landscape is beautiful, it can also be a very lonely place.'

page 97

 

 

Photography © Ciaran Magill and Brendan Jamison

 

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